Gallery - Broadcast Work
The Mummy: Tomb of the Dragon Emperor | The Golden Compass | The Seeker: The Dark is Rising
Pirates of the Caribbean: At Worlds End | Letters from Iwo Jima | Flags of our Fathers | Charlotte's Web
The Adventures of Sharkboy and Lavagirl in 3-D | Constantine | Hellboy | The Matrix Revolutions
After School Special (Barely Legal) | Ghost Ship | Broadcast work
This gallery showcases some of my broadcast work from the 1999 to 2002 time period. I was a flint, flame and inferno operator during this time, and started as an compositing intern at a company called GVFX, which is now defunct.
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From The Ultimate Christmas Present. I combined several different live action layers, painted snow onto the rooftops, added some photograph steam and smoke elements, created some lit Christmas lights, added lights in the streetlamps, and added a sky containing some sunrays. |
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From Stargate SG-1. This is the only gate puddle that I did while on the show. All the elements are photographic except the puddle ripples. |
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A test during my time at GVFX. This was created using still cameras arranged in a semicircle. John Gajdecki supervised this shoot. The goal was to slow down the explosion. I was responsible for the retiming and stabilizing of the primary explosion footage. I also had to recreate inbetween frames when some of the cameras refused to shoot. Deborah Dunphy was the primary comp artist. |
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A pretty cool shot from The Outer Limits. This guy levitates a spinning tennis ball which reveals a spinning globe. The tennis ball and globe are CG. Several different atmospheric layers were added to give some depth. |
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